Inter Arma: The Cavern (2014)

There And Back AgainReview by joanismylover, the third metal attorney.

I thoroughly enjoyed Inter Arma's 2013 release, and although FMA did not agree, I was not alone in that enjoyment.* Sky Burial was a thunderous piece of heavy music that while sludge-tinged, defied certain scene aesthetics and easy categorization. The heft was undeniable, and in all the right places. The Cavern follows

Execration: Morbid Dimensions (2014)

No ZombiesExecration is the act of condemning something, declaring it evil. But more importantly, it's an obscure word that sounds vaguely evil even if you didn't know that, and the cover art to the Norwegian band's Morbid Dimensions looks like something from an underground black metal band--the kind that has too much creativity to be contained in only the colors black and white. So we can figure

Richard Wagner: Der Ring des Nibelungen (1869-1876)

GötterdämmerungThe other day I mentioned Wagner in a review of a Septicflesh album. There's good reason for that. As observed in the documentary Metal: A Headbanger's Journey, Richard Wagner was metal a century before metal existed. So it occurred to me that it was essentially a crime that I had never listened to The Ring Cycle, a.k.a. Der Ring des Nibelungen, and I sought to rectify that

Blood & Banjos: Blood & Banjos (2014)

BloodgrassIf there’s one reviewer out there who is inclined to like a metal band with banjos, it’s probably me. I’ve written extensively on metal and Americana, I loved that Taak song with the banjo solo, and I adore Panopticon’s Kentucky. So it made sense for Blood & Banjos to contact me.

I was warned that they are a bluegrass band first, with some metal parts, and that’s an accurate assessment

Septicflesh: Titan (2014)

WagnerianIt’s been said that Blue Öyster Cult put the first unnecessary umlaut in a band name “because of the Wagnerian aspect of Metal.” You probably already know how ridiculously bombastic Wagner made his operas, including the use of a giant cello that required two people to play—because it wasn’t heavy enough yet. Drama on top of drama made songs like “Ride of the Valkyries” so compelling, and

Abigail: Intercourse & Lust (1996)

Tentacle Rape by Chthonic Venom WorshipersAs I was listening to Abigail's Intercourse & Lust, I had no idea it was 18 years old. Speed metal is evergreen. This is true to the purest ethos of the backpatch-on-jean-jacket set.

This reissue has new cover art, from the band's native Japan. Believe it or not, I looked up the Wikipedia page for tentacle porn a while back and found that this is a print

Dark Americana Briefs, Volume 18

Ladies' Night
Feist: Metals (2011)
4 out of 5 stars

Feist is a Canadian who stretches my preconceived notions about what "pop" means. There are no big dance hits here: Metals is full of simmering tunes that are sometimes vulnerable, sometimes angry, and always beautiful. While she touches on R&B, I've included this record here for the many Americana and blues touches. She's not afraid to make it

Slipknot and Korn at the Century Link Center

November 6, 2014After seeing Amon Amarth on Tuesday, seeing Slipknot and Korn was a very different experience. I went with a friend whom I would not describe as a metalhead, which made it a lot more enjoyable for me. But aside from that, the show had some issues.

First of all, the Century Link Center is a completely different venue. The beer selection was a crime against humanity. Literally the

Amon Amarth at the Bourbon Theatre

November 4, 2014For the first time ever, Amon Amarth rode into Lincoln, Nebraska, and I was witness.


It was at the Bourbon Theatre, where I've been a couple of times before. They of course had to use the larger stage and room. The house was packed--even more draw than Opeth, apparently, although that might have something to do with the supporting acts. Of the crowd, I didn't see anything

Slipknot: .5: The Gray Chapter (2014)

Slipknot, Ver .5So by now I’ve revisited every studio album by Slipknot, a band who shaped my musical preferences long-term—and honestly had a big part in prepping me to be an extreme metal fan. What I’ve learned is that they released a handful of pretty good records with hard rock parts, some metal parts, extreme percussion, angry shout-along choruses and catchy sung melodies. They also released

YOB: Clearing the Path to Ascend (2014)

AscensionI’ve always kind of felt that YOB is a bit overrated. No, let me rephrase that: I used to think YOB was overrated.

Despite Mike Scheidt’s crappy folk album leaving me cold, I already enjoyed both his growled and sung vocals (especially with Vhöl). Yet YOB’s work has always given me the sense that it was just, pretty good. Not great. Clearing the Path to Ascend has fully convinced me.